Thursday, October 30, 2025

Under the Ice, She Streams

Welcome to the first edition of Monsters in the Americas, where we'll explore and uncover the horrors of folklore beasts in the Americas, with a modern twist, of course. This week, we'll delve into a tale about a skeptical teen influencer who seeks online fame through a fake monster challenge, until guilt-haunted echoes demand truth.

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Wind clawed across Baker Lake’s frozen skin, scattering fine snow like powdered glass. Mira crouched at the edge, her phone trembling between her gloved fingers. “If the Qalupalik’s real,” she whispered into the lens, her voice quivering with half-dare, half-prayer, “maybe it’ll take me too.” The words drifted away, swallowed by the emptiness around her. Beneath her, the ice gave a low hum—a vibration that rose through her bones.

Nothing moved. Then the hum thickened, alive somehow, resonating with an undercurrent like distant breathing. The camera’s light blinked against her pale face, a trembling beacon in the dark. Mira leaned closer, her reflection flickering on the slick surface. A thin line cracked through the mirrored image, spreading with the delicate sound of glass sighing.

“Did you hear that?” she murmured, half to her followers, half to herself.

The comments scrolled faster than she could see—hearts, jokes, dares. A gust skated across the lake, pressing her hair flat against her cheek. She smiled, nervous and exhilarated, and bent lower. The ice shimmered greenish under the phone’s light.

The water shifted. From within her reflection, a shape stirred—a shadow dragging itself closer. Mira’s pulse quickened. “Wait—what—” she began.

A hand, pale and webbed, clawed through the reflection and broke the surface.

She screamed. The sound tore through the air, sharp and raw. Her phone slipped from her hand, clattering on the ice, lens spinning skyward. For an instant, it caught her face—eyes wide, mouth open—before the image spun to black.

On the livestream, her scream looped before the feed froze. Then came the flood: laughing emojis, taunting comments, the churn of digital noise.

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Hours later, in a dim apartment across town, Noah watched the replay for the twelfth time. The screen glowed cold against his face, illuminating the tremor in his jaw. “It’s a stunt,” he muttered, though no one was there to hear. The sound glitched again—Mira’s voice breaking through static, whispering his name.

He froze. “Mira?” His throat tightened.

From the phone speaker, a whisper rasped again, too low to be sure. He turned off the sound, then on again, each time catching a syllable like a sigh behind the interference. The radiator clicked in the corner, the only steady sound in the room.

When he stood, the floorboards groaned. “You’re just hearing things,” he said, forcing a laugh that died too quickly. He crossed into the bathroom, the phone still in his hand, its cracked screen a ghost-light. The sink dripped—slow, deliberate drops that echoed like a pulse.

As he leaned closer, the whisper returned—this time through the drain, faint but unmistakable. His name again. Drawn air, then silence.

He stumbled back, hitting the counter. Water quivered in the basin. The phone camera flicked on, unprompted.

“Noah here,” he said shakily, voice too loud for the small room. “This is... look, I’m proving it’s fake. Okay? It’s all fake.”

The lens caught his reflection, pale and sweating. “She probably edited the sound in. Or someone hacked the feed.” He tried to smile for his viewers, but his jaw wouldn’t obey.

From the tub, a faint ripple stirred. Water began to rise, not pouring but swelling upward, breathing, expanding with each pulse of light from the phone.

He turned toward it slowly. “No,” he whispered. “No, no—”

The water lapped against porcelain, forming waves that climbed higher, exhaling mist into the air. The bathroom filled with a damp, icy scent—salt and something old, like seaweed left to rot.

“Noah,” came the voice, barely audible beneath the surface.

He shivered, clutching the phone tighter. “It’s just—audio feedback. I’m not—” His words faltered. The sound came again, tender, coaxing.

Kneeling, he set the phone on the tile, the glow flickering over his hands. His breath came in ragged bursts, visible in the chill air. For a long stretch, he stared at the water’s rhythmic movement.

He whispered, “I’m sorry.”

The words seemed to stop the room. The hum of the pipes ceased. Even the air felt suspended.

Then the water stilled—perfectly smooth, black as obsidian. The screen flickered once, twice.

Through the shimmer of the surface, her face appeared—Mira, smiling. Not the frantic grin from her stream, but serene, luminous, eyes bright with something unearthly. Beneath the faint ripples, her hair drifted like ink.

Noah’s hand reached forward, trembling. “Mira?”

She did not speak. But her smile widened, soft and radiant, as though freed of something heavy.

The phone screen dimmed, the light sputtering out. In that fading glow, her reflection glimmered one last time, smiling up from beneath the ice.

Then everything went still.

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The Qalupalik is a creature from Inuit folklore, particularly among the Inuit of the Arctic regions of Canada and Greenland. It’s one of the most famous beings in Inuit mythology, used both as a cautionary tale and as a spiritual symbol. The Qalupalik’s main role is that of a child-snatcher. According to legend, it preys on children who wander too close to the water or disobey their parents.

Elkwood Processing

Welcome to another edition of Monsters in the Americas, where we'll explore and uncover the horrors of folklore beasts in the Americas, ...